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008			170202s2016 enka f 000 0 eng d
040			_beng _cUkLoVW
099			_aMP 40.3
100	1		_aMcShane, Angela
245	1	0	_aDrink, song and politics in early modern England / _cAngela McShane.
260			_aCambridge : _bCambridge University Press, _c2016.
300			_ap. 166-190 : _bill. ; _c30 cm.
500			_aCopy of article originally published in: Popular Music, 35, pp. 166-199.
520			_aBetween about 1580 and 1690, early modern England experienced three interrelated developments: first, the growth of a successful commercial popular music industry, centred on London, which served a socially broad national market; secondly, the development of political parties, emerging from the political and religious turmoil of the period, which impinged significantly upon the newly burgeoning popular music industry and its markets; thirdly, a substantial increase in the per capita consumption of alcoholic drinks across all social classes, for reasons of sociability rather than health or nutrition. This article explores the unexpected effects of these changes on cultures of politics, drink and song across the whole period. In particular, it explores the way in which the Cavaliers of the 1650s and the new 'Tory' party of the 1680s used the medium of song to encourage excessive drinking and the political and social denigration of sobriety in order to promote loyal obedience.
534			_pOffprint from: _tPopular music
650		7	_9470 _aSeventeenth century
650		7	_9398 _aPolitical songs
650		7	_9426 _aReligion
650		7	_961 _aBroadsides
942			_2VWML _cPC