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Clare concertinas : Bernard O'Sullivan & Tommy McMahon

Material type: MusicMusicPublisher number: Free Reed 12 Tfrs 502 | Topic RecordsPublication details: Topic Records, 1975.Description: 1 sound disc : analog, 33 1/3 rpm
Contents:
Side A: 1. Polkas: Babes in the Wood, Cooraclare Polka, Clare Dragoons -- 2. Jigs: Shady Groves of Piedmont, Humours of Ennistymon -- 3. Reels: Old Torn Petticoat, Tommy People's Favourite -- 4. Set dance: Mount Fabus Hunt -- 5. Reels: Ollie Conway's Selection -- 6. Reels: Kilrush Races, Clogher Reel, Burren Reel -- 7. Set dance: Bonaparte's Retreat -- 8. March: Bonaparte's March -- Side B: 1. Jigs: Barron's Jig, Jackson's Jig, Miltown Jig -- 2. Set dance: Rodney's Glory -- 3. Reel: Tommy McMahon's Reel -- 4. Waltz: Over the Waves -- 5. Polkas: Girl I Left Behind Me, Maggie in the Wood -- 6. Jigs: Martin Talty's Jig, Thomas Friel's Jig, Joe Cunnean's -- 7. Hornpipes: Sean Ryan's, Danganella Hornpipe -- 8. Set dance: Job of Journeywork -- 9. Reels: Ash Plant, Maid of Mount Cisco.
Holdings
Item type Home library Shelving location Class number Materials specified Status Date due Barcode
Sound Recordings Sound Recordings VWML Storage SAD 2330 (Browse shelf(Opens below)) Reference only SR04505

Sound disc, analog.

Side A: 1. Polkas: Babes in the Wood, Cooraclare Polka, Clare Dragoons -- 2. Jigs: Shady Groves of Piedmont, Humours of Ennistymon -- 3. Reels: Old Torn Petticoat, Tommy People's Favourite -- 4. Set dance: Mount Fabus Hunt -- 5. Reels: Ollie Conway's Selection -- 6. Reels: Kilrush Races, Clogher Reel, Burren Reel -- 7. Set dance: Bonaparte's Retreat -- 8. March: Bonaparte's March -- Side B: 1. Jigs: Barron's Jig, Jackson's Jig, Miltown Jig -- 2. Set dance: Rodney's Glory -- 3. Reel: Tommy McMahon's Reel -- 4. Waltz: Over the Waves -- 5. Polkas: Girl I Left Behind Me, Maggie in the Wood -- 6. Jigs: Martin Talty's Jig, Thomas Friel's Jig, Joe Cunnean's -- 7. Hornpipes: Sean Ryan's, Danganella Hornpipe -- 8. Set dance: Job of Journeywork -- 9. Reels: Ash Plant, Maid of Mount Cisco.

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