MARC details
000 -LEADER |
fixed length control field |
02240nam a22002897a 4500 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION |
fixed length control field |
a|||||r|||| 00| 0 |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
fixed length control field |
ta |
001 - CONTROL NUMBER |
control field |
201702031158.ls |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20201126160613.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
170202s2016 enka f 000 0 eng d |
040 ## - CATALOGING SOURCE |
Language of cataloging |
eng |
Transcribing agency |
UkLoVW |
099 ## - CALL NUMBER (LOCAL) |
Classification number |
MP 40.3 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
McShane, Angela |
245 10 - TITLE STATEMENT |
Title |
Typography matters : |
Remainder of title |
branding ballads and gelding curates in Stuart England / |
Statement of responsibility, etc |
Angela McShane. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
London : |
Name of publisher, distributor, etc |
British Library, |
Date of publication, distribution, etc |
2008. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
p. 19-44 : |
Other physical details |
ill. ; |
Dimensions |
30 cm. |
500 ## - GENERAL NOTE |
General note |
Copy of article originally published in: Hinks, J., and Armstrong, A. (eds), 2008. Book trade connections from the seventeenth to the twentieth centuries. London : British Library. |
520 ## - SUMMARY, ETC. |
Summary, etc |
It has long been a truism for historians and literary scholars that, as Tessa Watt expressed it, 'the printed broadside was the cheapest and most accessible form of print'. In the case of political broadside ballads, however, the issue of accessibility is a good deal more complex than this simplistic connection with price suggests. Though certainly cheap, indeed sometimes free, much political ballad debate was not accessible to the less informed, traditional ballad consumers, and, in further contradiction of orthodox scholarly opinion, probably intentionally so. This essay argues that typography, format and content are the key criteria by which accessibility must be judged. A close analysis of the material nature and content of political broadside ballads, within the context of the whole genre and its market, reveals a spectrum of ballad products ranging from 'popular' to 'elite', or, since these terms have limited usefulness, from more to less accessible. By way of an extended case study, we shall see that political ballad broadsides were consciously and carefully adapted for different kinds of consumers. |
534 ## - ORIGINAL VERSION NOTE |
Introductory phrase |
Offprint from: |
Title statement of original |
Book trade connections from the seventeenth to the twentieth centuries / |
Main entry of original |
edited by John Hinks and Catherine Armstrong. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
9 (RLIN) |
470 |
Topical term or geographic name as entry element |
Seventeenth century |
|
9 (RLIN) |
398 |
Topical term or geographic name as entry element |
Political songs |
|
9 (RLIN) |
61 |
Topical term or geographic name as entry element |
Broadsides |
|
9 (RLIN) |
409 |
Topical term or geographic name as entry element |
Printing |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Hinks, John |
|
Personal name |
Armstrong, Catherine |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Local classification scheme |
Item type |
Offprints and Photocopies |